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Although few of the most popular poets of the hugely influential late-eighteenth and early-nineteenth century British Romantic movement seem to have been influenced by the Arthurian tradition, we do have three who made use of Arthurian elements within their poetry, including one of the movement’s most vitally influential figures: Walter Scott published “Sir Tristrem” in 1804, William Blake made use of Arthurian materials in his “Jerusalem, The Emancipation of the Great Albion” and William Wordsworth’s 1835 “The Egyptian Maid; Or, The Romance of the Water Lily” includes Merlin and the Lady of the Lake as well as Galahad, marrying the title figure (it’s so hard to think of Galahad as a middling-aged married fellow, isn’t it?) lol The lesser-known Thomas Love Peacock also wrote a brace of Arthurian texts, the 1817 “The Round Table, or King Arthur’s Feast” and the 1829 “The Misfortunes of Elphin”.

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